Now LIVE listens to and adjusts the tempo of a predefined audio input in real time! Incredible isn’t it, I can’t wait to try this feature, can you?įollow the tempo and macro What about macros? Until now, when you wanted to work with Ableton Live on stage, it was necessary to send a click that everyone had to follow. This version 11 also brings a lot of new features for musicians on stage, and that’s saying a lot! Follow the tempo: This update for MPE controllers allows the push 2 control surface to benefit from expression possibilities allowing the use of polyphonic aftertouch for example. Ableton Live 11 will come with MPE presets for each device. Synths like Wavetable, Sampler and Arpeggiator have been updated to support the MPE protocol. Of course new, more expressive sounds are included in this update. This contribution of expressivity will give new sound perspectives to your compositions where each note can benefit from a control of several parameters in real time for a much more advanced instrumental interpretation. Now you will be able to use in Ableton Live 11 controllers such as Roli and certainly the much awaited Osmose from Expressive E. The Ableton Live 11 update solves this lack of compatibility. In a previous article based on the Midi, I mentioned the arrival of MPE controllers and of course their compatibility with the software on the market. Ableton Live 11 compatible with MPE controllers! control of several parameters in real time It also works with midi tracks! In this context, it will be interesting if you are doing Layering and you want to edit two or more tracks simultaneously. If you are recording percussion, drums, a guitar amp with several microphones it will save you a lot of time. This editing principle is very interesting because it allows to keep the alignment of the rear mic track in relation to the front mic track and allows to respect the phases when recording with the microphones. With the editing of linked tracks, you will be able to simultaneously edit the content of each of the two bass drum tracks. This is very useful, for example, when recording the drums, one experiences the experience of recording the bass drum with one microphone at the back and one at the front. This allows to keep the alignment of the different tracks. The objective is to link tracks together to make the edition. We’ve already experienced this kind of exploration with Electro music.Īnd believe me, there are many other ways to experience sound design with this kind of functionality… Editing of linked tracks: Now with Ableton live 11 when recording both audio and midi, you’ll be able to select the best moments from each of the different takes and then put them together to make the perfect recording.Ī significant advantage of this new recording mode is that it also brings the possibility to work on the sound design, in a new way that I had already explored in this title by gathering samples, of different types of instruments for the assemblies in order to create sudden changes of instrumentation. Let’s get to the heart of the matter with a new recording mode known in other software as composite recording. We are moving from the widely acclaimed 10 version to a version 11 full of promises and from this point of view Ableton spoils us. In addition to the pre-sale effect, this has a significant impact on the Ableton live user community. Simply because it’s the Christmas and New Year period and what could be nicer than to offer to a member of your family, our boyfriend or girlfriend the version 11 of this essential software that has become Ableton Live! Don’t worry, you can always pre-order it on the manufacturer’s website. Its commercialization is planned for the first quarter of 2021. Unfortunately, at the time of writing, the software is not yet available. This new version has been announced through the Ableton website but also through the media in the world of CAM. As an annual ritual, I’m going to tell you about the Ableton Live 11 software update.
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